It is cliche’ to say that John Prine (October 10, 1946 – April 7, 2020) was an “American treasure”. I regard him as a treasure to humanity. He would reject all of these special accolades and just say he was trying to do his best to be human. That’s what made him so wonderful. We have lost him, along with a myriad of other, wonderful and talented people, to COVID-19, so far, in 2020. His last song was “I Remember Everything.” It was recorded from quarantine.
John Prine was a champion for social justice, equality, and tolerance. He managed to do this with a sense of humour; never letting any bitterness or resentment show. He survived throat cancer and had to learn how to sing (an octave lower) all over again, and kept on going!
When I heard the song above on WXPN, the other morning, I sat in the driveway and wept for the loss we had experienced as a people, a nation, and a world. Rest in power, John Prine!
The painting is black and white acrylic on 24′ X 24′” gallery wrapped canvas. The edges are painted red, so no framing is needed. I signed and dated it on the bottom edge, so as to not interfere with the portrait.
Since my painting of Aaron Swartz, The Ghost in the Machine, was so well received I painted a 24″ x 24″ black and white portrait of Nina Simone. My hope is that you will find it to be as stark and as powerful as Hozier’s tribute to her and other singers in the US civil rights movement is.
Nina Simone (February 21, 1933 – April 21, 2003) was born in Tryon, North Carolina to a Methodist minister and a handyman and occasional preacher. She was named Eunice Kathleen Waymon. She learned how to play piano by ear when she was three. She played the piano in church as a child, but did not sing in the choir. By the time she graduated high school as valedictorian of her class, she was an accomplished classical and jazz pianist, as well as a singer. The townspeople raised money to pay for her to go to Julliard, however her family had moved to Philadelphia, so she applied to Curtis instead. They rejected her application. She felt this was due to racism. This killed her hope of being a great, black, woman, classical pianist. She started teaching music to get by. She also started to play and sing at some nightclubs. One night she decided it would help her career to change her name. She chose “Nina” which means “little girl” in Spanish and “Simone” after the actor Simone Signoret.
She wanted her singing to count for something, so she chose and wrote songs to record that addressed racism, lynching and civil and human rights. This was a risk at the time for a young, black woman in the 1950s and 60s. Her recording career spanned four decades. Her rendition of Strange Fruit is haunting.
“We never talked about men or clothes. It was always Marx, Lenin and revolution – real girls’ talk.”
Mavis Staples is another voice of the civil rights movement. She, along with Arcade Fire, was the first to record a song of resistance to the so-called president Trump, releasing it one day before his inauguration.
It is a song in the prophetic tradition, speaking from the viewpoint of God, as a warning. It can also be understood as the inscription on the wall of the Minnesota state house says: “Vox Populi Vox Dei.” “The Voice of the People is the Voice of God.”
Mavis Staples is no stranger to powerfully speaking truth to the people. She was with her dad, Roebuck Staples, who everyone called “Pops” when he wrote “Freedom Highway” for Martin Luther King, Jr., to start the Freedom March. I painted Mavis on the river stage at the XPoNential Music Festival in July 2016, in Camden, NJ, with the Philadelphia skyline in the background. The festival happened the weekend after the GOP National Convention. Another performer had made the mistake of watching it. Being the sensitive soul that he was, it was more than he could take. He had a full-blown meltdown on stage, and gave a half hour expletive filled rant, instead of performing his set. Well, Mavis took the stage Sunday afternoon and said something along the line of: “Times are looking bad. It’s been a rough week, but I’m here to make you feel good! I’m not promising you it’s going to last, but while I’m up here, you’re going to feel good!” And she said, “Now we’re going to sing a song that we used to sing with Pops and Dr. King in dark times to get to better times.” She started singing, “If You’re Ready (Come Go With Me)”, with some added lyrics that sounded like a socialist platform. I was listening on the radio, because I was grounded, due to complications from my heart-valve replacement surgery. I was in tears of joy. Later in the set, she recalled Pops writing of Freedom Highway, then performed it. I should say, she led it. She was really doing her job as a minstrel and prophet and poet in dark times; enthusiastically bringing hope against all odds, and pointing the way upward. She said she started singing with her sisters in 1966 and wasn’t done yet. at age 77. She’s still going strong, speaking out, and lifting spirits.
Pops passed away in 2000, at age 86. I painted him in this painting (in gray tones), because he was ‘larger than life’ in that concert, in the songs, and in the heart of Mavis.
Painting is 20″ x 16″ acrylic on stretched canvas.
Price: $200 plus postage
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The first time we saw Pete Seeger, we were so close that to him that we were literally within spitting distance. He was giving a free concert at Penn’s Landing under the old fiberglass pavilion. I believe it was 1981. Bethann and I went there with our friends Frank and Colleen. We arrived just in time for the concert to start. The place was full. Everyone was seated on blankets spread out on the concrete floor of the pavilion leaving a ten foot space in front of the stage. Frank sees the space and says, “Look, they left room for us right up front!” and proceeds to the front, lays down the blanket and sets us up. We were front and center. Once Pete got going, we were, indeed, blessed with his saliva. It was a great experience, nonetheless. When tugboats came up the river they blew their horns to salute Mr. Seeger, as they knew he was giving a concert there that day. He was famous for his love of rivers and boats. He promoted environmentalism and spearheaded the clean-up and restoration of the Hudson River.
I was to hear Pete Seeger perform live on three more occasions in the 1980s, all of them demonstrations that I was taking part in, in Washington, DC. He was famous for his union organizing songs and work with the Weavers. There is too much to be said about such a full and long life for one little blog post. He lived over 94 years (May 3, 1919 – January 27, 2014). He published a magazine of sheet music of folk music and protest songs. He was a communist and blacklisted for it, during the McCarthy era. There is a petition to name the new Tappan Zee Bridge in New York after him. Read more about him here.
Painting is 18″ x 14″ acrylic on stretched canvas.
Price: $200 plus postage
Fill out the form below so we can arrange payment and delivery. I take PayPal, so all credit or debit cards are accepted.
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